"Kermesse in Bruges , "The Three Gifts": Act I: The Robbers and the Assault" by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of Kermesse in Bruges , "The Three Gifts": Act I: The Robbers and the Assault is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Kermesse in Bruges , "The Three Gifts": Act I: The Robbers and the Assault's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. In terms of popularity, Kermesse in Bruges , "The Three Gifts": Act I: The Robbers and the Assault is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kermesse in Bruges , "The Three Gifts": Act I: The Robbers and the Assault by Holger Simon Paulli, Christian Gottschalch, Soren Mohl, Aalborg Symphony Orchestra, Peter Ernst Lassen is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 6, Coda | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | E♭ Major | 2 | 5B | 95 BPM | ||
Etudes: XII. Mazurka | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 141 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM | ||
La Bayadere: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 99 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Don Quixote: Act III: Variation: Dryad's mistresses (Souvenir du Ball) | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 0 | 9B | 143 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM |
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