"Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 2, "Am Gesteine rauscht die Flut"" by Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt was released on 2003. With Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 2, "Am Gesteine rauscht die Flut" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 71 in Brahms Lovesongs by Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 2, "Am Gesteine rauscht die Flut" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 2, "Am Gesteine rauscht die Flut" by Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Te Deum in D Major, MH 829: II. Largo | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | G Major | 1 | 9B | 67 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Messa da Requiem: IV Sanctus | Mass Text, Giuseppe Verdi, Hungarian State Opera Orchestra, Carlo Colombara, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi | F Major | 2 | 7B | 114 BPM | ||
Mörike-Lieder: 12. "Verborgenheit" | Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim | C Major | 0 | 8B | 131 BPM | ||
Moniuszko: Prząśniczka | Stanisław Moniuszko, Aleksander Debicz, Jakub Józef Orliński | C Minor | 1 | 5A | 73 BPM | ||
Messe brève No. 7: I. Kyrie | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D Minor | 2 | 7A | 104 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Sanctus | Chamber Choir Of Europe, Isabelle Müller-Kant, Württembergische Philharmonie Reutlingen, Anton Bruckner, Eibe Möhlmann, Reinhard Geller, Daniel Sans, Christof Fischesser, Nicol Matt | D Major | 2 | 10B | 81 BPM |
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