"Rosamunde Overture" by Franz Schubert, George Szell, Cleveland Orchestra had its release date on 1961. This song appears to be safe for all ages as it is not explicit. The track order of this song in Franz Schubert, New York Philharmonic, The Philadelphia Orchestra's "Greatest Hits: Schubert" album is number 6 out of 11. Based on our statistics, Rosamunde Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rosamunde Overture by Franz Schubert, George Szell, Cleveland Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Vivaldi: Magnificat in G Minor, RV 610: VIII. Sicut locutus est | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Major | 2 | 12B | 93 BPM | ||
Le nozze di Figaro, K. 492: Overture | Wolfgang Amadeus Mozart, BBC Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 79 BPM | ||
Love Came | Peter Gregson | C Major | 0 | 8B | 136 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | A Minor | 2 | 8A | 124 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: II. Andante | Franz Schubert, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 111 BPM | ||
Impromptu in E-flat Major, Op. 90, No. 2 | Franz Schubert, Andreas Haefliger | E♭ Minor | 1 | 2A | 100 BPM | ||
Symphony in C Minor, EG 119: IV. Finale: Allegro molto vivace | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 1 | 8B | 86 BPM | ||
Bethlehem Down | Peter Warlock, Benjamin Grosvenor | C Major | 0 | 8B | 93 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |