George Frideric Handel, Academy of Ancient Music, Christopher Hogwood made "Concerto a due cori No.2, HWV 333: 3. A tempo giusto" available on January 1, 1997. The duration of Concerto a due cori No.2, HWV 333: 3. A tempo giusto is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Concerto a due cori No.2, HWV 333: 3. A tempo giusto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy of Ancient Music, Christopher Hogwood's "Handel: Water Music/Music for the Royal Fireworks etc." album is number 15 out of 51. In terms of popularity, Concerto a due cori No.2, HWV 333: 3. A tempo giusto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto a due cori No.2, HWV 333: 3. A tempo giusto by George Frideric Handel, Academy of Ancient Music, Christopher Hogwood to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Keyboard Sonata in D Minor, K.9/L.413/P.65: Allegro | Domenico Scarlatti, Balazs Szokolay | F Major | 1 | 7B | 118 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) (with The Orchestra of St. Luke's) - Voice | George Frideric Handel, Wynton Marsalis, Kathleen Battle, Orchestra of St. Luke's, John Nelson | C Major | 1 | 8B | 65 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
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