"Mathäus Passion, Parte Seconda: 68. Chorus: Wir Setzen Uns Mit Tränen Nieder" by Stephen Cleobury, Choir of King's College, Cambridge, Rogers Covey-Crump, Emma Kirkby, David Thomas, Michael George, Johann Sebastian Bach, Michael Chance, Martyn Hill was released on March 28, 2007. Mathäus Passion, Parte Seconda: 68. Chorus: Wir Setzen Uns Mit Tränen Nieder is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Stephen Cleobury's "Matthaus Passion" album is number 37 out of 103. On top of that, Netherlands appears to be the country where this track was created. Mathäus Passion, Parte Seconda: 68. Chorus: Wir Setzen Uns Mit Tränen Nieder is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathäus Passion, Parte Seconda: 68. Chorus: Wir Setzen Uns Mit Tränen Nieder by Stephen Cleobury, Choir of King's College, Cambridge, Rogers Covey-Crump, Emma Kirkby, David Thomas, Michael George, Johann Sebastian Bach, Michael Chance, Martyn Hill to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Jonathon Bond, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM | ||
De profundis | Antonio Salieri, West German Radio Chorus, West German Radio Symphony Orchestra, Helmut Froschauer | F Minor | 1 | 4A | 77 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Pergolesi: Stabat mater: XII. Quando corpus morietur | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Minor | 0 | 8A | 73 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Requiem, Op. 9: IV. Sanctus (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | G Minor | 1 | 6A | 67 BPM |
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