"Teurer Name, dessen Klang (Rigoletto)" by Miliza Korjus, Orchester Der Staatsoper Berlin had its release date on August 8, 2006. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Miliza Korjus's "Lebendige Vergangenheit - Milza Korjus" album is number 6 out of 16. On top of that, Austria appears to be the country where this track was created. Teurer Name, dessen Klang (Rigoletto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Teurer Name, dessen Klang (Rigoletto) by Miliza Korjus, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow: Overture | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | C Major | 4 | 8B | 144 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Duda | Ricardo García De Arellano, Sociedad Camerista de México | E♭ Major | 1 | 5B | 77 BPM | ||
L'Estudiantina, Waltz Op. 191 | Vienna Walzer Orchestra, Sandro Cuturello | D Major | 4 | 10B | 112 BPM | ||
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM | ||
Die Dreigroschenoper: Akt II, Pollys Abschiedslied ("Er kommt nicht wieder") | Kurt Weill, Erich Schellow, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | G Major | 0 | 9B | 76 BPM |