- BPM
- 73
- Key
- E♭ Major
- Camelot
- 5B
Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina) - Wiener Philharmoniker, William Shimell, Samuel Ramey, Riccardo Muti, Suzanne Mentzer, Natale de Carolis Information
- Acousticness
- 99%
- Danceability
- 50%
- Energy
- 33%
- Instrumentalness
- 20%
- Liveness
- 16%
- Loudness
- 62%
- Speechiness
- 8%
- Valence
- 90%
- Popularity
- 0%
- Loudness
- -22.612 dB
Summary
On August 2, 2013, the song "Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina)" was released by Wiener Philharmoniker, William Shimell, Samuel Ramey, Riccardo Muti, Suzanne Mentzer, Natale de Carolis. With Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 10 out of 214. Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina) BPM
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina) by Wiener Philharmoniker, William Shimell, Samuel Ramey, Riccardo Muti, Suzanne Mentzer, Natale de Carolis to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Don Giovanni, K.527, Act I, Scena quinta: Riposate, vezzose ragazze (Don Giovanni/Leporello/Masetto/Zerlina) Key
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem In D Minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein | B♭ Major | 1 | 6B | 89 BPM | |
 | Die Walküre / Erster Aufzug: "Wehwalt heißt du fürwahr?" | Richard Wagner, Régine Crespin, James King, Wiener Philharmoniker, Sir Georg Solti | G Major | 3 | 9B | 173 BPM | |
 | Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | F Major | 2 | 7B | 87 BPM | |
 | Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 6: Terzetto - Susanna, Or Via Sortite? | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Ingrid Kertesi, Hungarian State Opera Orchestra, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 73 BPM | |
 | Die Fledermaus / Act 2: Nr.8 Ensemble und Couplet: "Ach, meine Herr'n und Damen" | Johann Strauss II, Erika Köth, Regina Resnik, Walter Berry, Waldemar Kmentt, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 88 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Fine al rito" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 2 | 6B | 165 BPM | |
 | Così fan tutte, K. 588 / Act I: "Sento, oh Dio, che questo piede" | Wolfgang Amadeus Mozart, Adam Plachetka, Rolando Villazón, Alessandro Corbelli, Miah Persson, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 85 BPM | |
 | Turandot / Act 2: Addio, amore, addio, razza! (Ping, Pong, Pang) | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 93 BPM | |
 | Verdi: Aida, Act 3: "O tu che sei d'Osiride" (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 0 | 8B | 132 BPM | |
 | La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7714481353759766
End: 0.7744712829589844