Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" - Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado Information

Acousticness: 98%
Danceability: 36%
Energy: 16%
Instrumentalness: 1%
Liveness: 10%
Loudness: 69%
Speechiness: 7%
Valence: 32%
Popularity: 8%
Loudness: -18.445 dB

Summary

Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado's 'Don Giovanni, K.527 / Act 1: "Notte e giorno faticar"' came out on January 1, 1998. With this song being about 5 minutes long, at 5:26, "Don Giovanni, K.527 / Act 1: "Notte e giorno faticar"" by Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Chamber Orchestra of Europe, Claudio Abbado's "Mozart: Don Giovanni" album is number 2 out of 60. Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" BPM

We consider the tempo marking of Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" by Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" Key

The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Clarinet Concerto in A Major, K. 622: III. Rondo (Allegro)	Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm	D Major	1	10B	140 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	F Major	0	7B	86 BPM
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso	Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel	G Major	0	9B	78 BPM
Nocturne No.4 In F, Op.15 No.1	Frédéric Chopin, Maurizio Pollini	F Major	0	7B	132 BPM
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato	Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs	D Minor	1	7A	112 BPM
Solfeggio in C Minor, Wq. 117: No. 2	Carl Philipp Emanuel Bach, See Siang Wong	C Minor	2	5A	78 BPM
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2g. Gloria: Jesu Christe	Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	C Major	2	8B	73 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
Carmen Variations	Vladimir Horowitz	E Major	2	12B	148 BPM
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile	Eder Quartet	C Major	0	8B	65 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6988999843597412

End: 0.7026891708374023