Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado's 'Don Giovanni, K.527 / Act 1: "Notte e giorno faticar"' came out on January 1, 1998. With this song being about 5 minutes long, at 5:26, "Don Giovanni, K.527 / Act 1: "Notte e giorno faticar"" by Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Chamber Orchestra of Europe, Claudio Abbado's "Mozart: Don Giovanni" album is number 2 out of 60. Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" by Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Carmela Remigio, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto in A Major, K. 622: III. Rondo (Allegro) | Wolfgang Amadeus Mozart, Alfred Prinz, Wiener Philharmoniker, Karl Böhm | D Major | 1 | 10B | 140 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Nocturne No.4 In F, Op.15 No.1 | Frédéric Chopin, Maurizio Pollini | F Major | 0 | 7B | 132 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2g. Gloria: Jesu Christe | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | C Major | 2 | 8B | 73 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM |
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