On January 1, 1988, the song "Concerto Grosso in D Major, Op. 3, No. 6, HWV 317: I. Vivace" was released by George Frideric Handel, Ian Watson, Academy of St. Martin in the Fields, Iona Brown. The duration of Concerto Grosso in D Major, Op. 3, No. 6, HWV 317: I. Vivace is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Concerto Grosso in D Major, Op. 3, No. 6, HWV 317: I. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 21 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Concerto Grosso in D Major, Op. 3, No. 6, HWV 317: I. Vivace's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto Grosso in D Major, Op. 3, No. 6, HWV 317: I. Vivace by George Frideric Handel, Ian Watson, Academy of St. Martin in the Fields, Iona Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VI. Menuet | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 114 BPM | ||
Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III | Franz Schubert, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Concerto in D Minor for 2 Oboes, Strings & Continuo, RV 535 - Ed. Hogwood: 2. Largo | Antonio Vivaldi, Celia Nicklin, Neil Black, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 166 BPM | ||
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
Förster: Horn Concerto in E-Flat Major: III. Allegro | Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 102 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Fatto per la Notte di Natale": I. Vivace - Grave | Arcangelo Corelli, Orpheus Chamber Orchestra, Naoko Tanaka, Eric Wyrick, Eric Bartlett, Edward Brewer | G Minor | 1 | 6A | 84 BPM | ||
Messiah, HVW 56, Part 1, Scene 1: And the glory of the Lord | George Frideric Handel, Bible, Charles Jennens, St. Jacob's Chamber Choir, Rebaroque, Gary Graden | E Major | 1 | 12B | 82 BPM | ||
Symphony in A Major, Op. 2 No. 2 "Birthday Ode": II. Vivace | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 141 BPM | ||
Charpentier: Magnificat, H. 74: Prélude | Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 115 BPM |
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