"Cilea: Adriana Lecouvreur; Act 1: Adriana... Che c'e?" by Francesco Cilea, Arturo Colautti, James Levine was released on 1978. With this song being about 5 minutes long, at 4:39, "Cilea: Adriana Lecouvreur; Act 1: Adriana... Che c'e?" by Francesco Cilea, Arturo Colautti, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 29 in Cilea: Adriana Lecouvreur by Francesco Cilea, Arturo Colautti, James Levine. In terms of popularity, Cilea: Adriana Lecouvreur; Act 1: Adriana... Che c'e? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cilea: Adriana Lecouvreur; Act 1: Adriana... Che c'e? by Francesco Cilea, Arturo Colautti, James Levine is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Così fan tutte, K. 588 / Act 1: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Sir John Pritchard, Wiener Philharmoniker | E Major | 2 | 12B | 124 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Lucia Popp, Klaus Tennstedt, London Philharmonic Orchestra | G Major | 1 | 9B | 87 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: Principessa... Finalmente! | Francesco Cilea, Arturo Colautti, James Levine | C Major | 2 | 8B | 80 BPM | ||
Cilea: Adriana Lecouvreur; Act 1: Or dunque, abate | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 2 | 6A | 143 BPM | ||
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
Il Barbiere di Siviglia: Ehi, Fiorello? | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 4 | 7B | 140 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
Section: 0.6686058044433594
End: 0.6726727485656738