"Thais (arr. J. Madden): Thais, Act III: Meditation (arr. J. Madden for flute and piano)" by Jules Massenet, John Madden, Kenneth Smith, Paul Rhodes was released on August 1, 2013. With this song being about 5 minutes long, at 4:44, "Thais (arr. J. Madden): Thais, Act III: Meditation (arr. J. Madden for flute and piano)" by Jules Massenet, John Madden, Kenneth Smith, Paul Rhodes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in Flute Vocalise: Beloved Concert Classics by Kenneth Smith. Thais (arr. J. Madden): Thais, Act III: Meditation (arr. J. Madden for flute and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thais (arr. J. Madden): Thais, Act III: Meditation (arr. J. Madden for flute and piano) by Jules Massenet, John Madden, Kenneth Smith, Paul Rhodes is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thais, Act II: Meditation (version for violin and piano) | Jules Massenet, Amy Schwartz Moretti, Elizabeth Pridgen | E Minor | 2 | 9A | 66 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Petite suite, L65: En bateau | Claude Debussy, Lestari Scholtes, Gwylim Janssens | G Major | 0 | 9B | 67 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Thaïs: Méditation (Arr. David Stanhope) | David Stanhope, Jules Massenet | D Major | 0 | 10B | 72 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM |
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