"Armide: Act V, Scene 4: Armide : "Renaud ! Ciel"" by Jean-Baptiste Lully, Bernard Deletré, La Chapelle Royale, Philippe Herreweghe, Howard Crook, Guillemette Laurens, Gilles Ragon, Collegium Vocale Gent was released on 1993. Armide: Act V, Scene 4: Armide : "Renaud ! Ciel" is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 16 out of 39. In terms of popularity, Armide: Act V, Scene 4: Armide : "Renaud ! Ciel" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act V, Scene 4: Armide : "Renaud ! Ciel" by Jean-Baptiste Lully, Bernard Deletré, La Chapelle Royale, Philippe Herreweghe, Howard Crook, Guillemette Laurens, Gilles Ragon, Collegium Vocale Gent to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Alceste, LWV 50: Marche des Assiégeants (1674) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | F Major | 4 | 7B | 103 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 79 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 3. Allegro | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 1 | 3B | 117 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Ein Musikalischer Spass (A Musical Joke), K. 522: IV. Presto | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | E Major | 1 | 12B | 131 BPM |
Section: 0.736630916595459
End: 0.7413854598999023