Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations's 'Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670)' came out on January 1, 1999. The duration of Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Jordi Savall's "Jean-Baptiste Lully: L'orchestre du Roi Soleil" album is number 4 out of 31. On top of that, Switzerland appears to be the country where this track was created. Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Bourgeois Gentilhomme, LWV 43: Marche pour la Cérémonie Turque (1670) by Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Concerto in D Minor; Op. 6 No. 5: I. Largo | Charles Avison, Café Zimmermann | D♭ Minor | 1 | 12A | 134 BPM | ||
Suite En Mi Mineur: Tombeau Po' Mr. De Ste. Colombe, II.109 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | A Major | 2 | 11B | 97 BPM | ||
Concert XLIV: Tombeau les regrets - Le tombeau des regrets | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | F♯ Minor | 0 | 11A | 70 BPM | ||
Suite española, Op. 47: Asturias (Leyenda) - Excerpt | Isaac Albéniz, Narciso Yepes | E Minor | 1 | 9A | 82 BPM | ||
Premier Concert: Sarabande - Mesuré (Couperin) | Le Concert Des Nations, Jordi Savall | F Minor | 1 | 4A | 115 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Alcione, Acte IV Scène 6: Menuet Entr’acte | Marin Marais, Jordi Savall, Le Concert Des Nations | F Major | 1 | 7B | 163 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
Section: 0.7252495288848877
End: 0.7309167385101318