Alessandro Scarlatti, Dorothee Oberlinger, Helena Rasker, Ensemble 1700's 'Filen, mio caro bene, HanS 263: V. Che ti sembra son fedele (Aria)' had a release date set for October 6, 2023. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 27 in Alessandro Scarlatti: Baroque Influencer by Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Filen, mio caro bene, HanS 263: V. Che ti sembra son fedele (Aria) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Filen, mio caro bene, HanS 263: V. Che ti sembra son fedele (Aria) by Alessandro Scarlatti, Dorothee Oberlinger, Helena Rasker, Ensemble 1700 is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Concerto a cinque No. 3, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | F♯ Minor | 2 | 11A | 98 BPM | ||
Zoroastre, RCT 62, Acte III, Scène VII: Gavotte en rondeau | Jean-Philippe Rameau, Teodor Currentzis | A♭ Minor | 1 | 1A | 116 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
Was mir behagt, BWV 208: Schafe können sicher weiden (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | A Major | 1 | 11B | 69 BPM |