Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo)
Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner
Elgar: In the South; Enigma Variations
1:35 December 20, 2001
BPM
70
Key
G Minor
Camelot
6A

Embed

Share Link

Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo) - Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner Information

Acousticness
96%
Danceability
21%
Energy
9%
Instrumentalness
93%
Liveness
27%
Loudness
62%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.875 dB

Summary

"Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo)" by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner was released on December 20, 2001. With Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 18 in Elgar: In the South; Enigma Variations by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner. Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo) BPM

The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo) by Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Variations on an Original Theme, Op. 36 "Enigma": 1. C.A.E. (L'istesso tempo) Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
St. Matthew Passion, BWV 244 / Part Two: St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg SoltiB Minor110A93 BPM
Variations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non Troppo by Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico FamàVariations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non TroppoPyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico FamàG Major19B148 BPM
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) by Frederick Delius, Julian Lloyd Webber, John Lenehan5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano)Frederick Delius, Julian Lloyd Webber, John LenehanF♯ Major02B69 BPM
Academic Festival Overture, Op. 80 by Johannes Brahms, Gewandhausorchester Leipzig, Riccardo ChaillyAcademic Festival Overture, Op. 80Johannes Brahms, Gewandhausorchester Leipzig, Riccardo ChaillyC Major28B77 BPM
A Moorside Suite, H. 173: Nocturne by Gustav Holst, Royal Northern Sinfonia, David Lloyd-JonesA Moorside Suite, H. 173: NocturneGustav Holst, Royal Northern Sinfonia, David Lloyd-JonesB Minor010A91 BPM
Symphony No. 9 in E Minor, Op. 95, B. 178, Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble)Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, CellistsD♭ Major03B94 BPM
Variations on an Original Theme, Op. 36, Variations on an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (arr. W.H. Harris for organ): Enigma Variations, Op. 36: No. 9. Nimrod (arr. W.H. Harris)William Henry Harris, Edward Elgar, Martin SouterE♭ Major05B75 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinG Major09B86 BPM
Delius / Arr. Fenby: Koanga, Act II: La Calinda by Frederick Delius, Sir John Barbirolli, HalléDelius / Arr. Fenby: Koanga, Act II: La CalindaFrederick Delius, Sir John Barbirolli, HalléE Minor49A116 BPM
Coppelia: Act I - Valse by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act I - ValseLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaE♭ Major05B89 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6569929122924805

End: 0.6629610061645508