"Quel cor che mi prometti" by Isabella Colbran, Carmen Acosta, Miguel Angel Dionis was released on July 1, 2020. With Quel cor che mi prometti being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 16 in Alma Divina by Carmen Acosta, Miguel Angel Dionis. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Quel cor che mi prometti is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quel cor che mi prometti by Isabella Colbran, Carmen Acosta, Miguel Angel Dionis is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Oiseaux, si tous les ans, K. 307 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
2 Romances: No. 2. Les cloches | Claude Debussy, Emőke Baráth, Emese Virágh | D♭ Minor | 1 | 12A | 94 BPM | ||
Pocket Poetry No. 2 "Hijo": I. Tu Olor | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Mai, Op. 1 No. 2 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Petite messe solennelle: Qui tollis | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Julia Lezhneva, Delphine Galou | D♭ Major | 1 | 3B | 75 BPM | ||
C'est mon ami | Marie Antoinette, Sandrine Chatron | F Major | 1 | 7B | 102 BPM | ||
Atalanta, HWV 35 (Excerpts): Care selve | George Frideric Handel, Samuel Mariño, Händelfestspielorchester Halle, Martin Hofstetter | E Major | 0 | 12B | 130 BPM |
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