"Mai, Op. 1 No. 2" by Gabriel Fauré, Cyrille Dubois, Tristan Raës was released on May 27, 2022. The duration of Mai, Op. 1 No. 2 is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Mai, Op. 1 No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 103 in Fauré: Complete Songs by Gabriel Fauré, Cyrille Dubois, Tristan Raës. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Mai, Op. 1 No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mai, Op. 1 No. 2 by Gabriel Fauré, Cyrille Dubois, Tristan Raës is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesliederwalzer, Op. 52: VIII. Wenn so lind dein Auge mir | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Konrad Jarnot, Camillo Radicke, Christoph Berner, Stella Doufexis, Marlis Petersen | B Major | 3 | 1B | 90 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | D Major | 1 | 10B | 90 BPM | ||
Strauss, Richard: 4 Lieder, Op. 27: No. 4, Morgen (Version with Violin) | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy, Vilde Frang | G Major | 1 | 9B | 79 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Chansons de Marjolie: No. 3, Celui que j’aime | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | A Major | 1 | 11B | 89 BPM | ||
The Folly of Desire: Ganymede II | Brad Mehldau, Ian Bostridge | B♭ Major | 1 | 6B | 133 BPM | ||
6 Gedichte, Op. 14: No. 1, Was weinst du, meine Geige? | Ernst von Dohnányi, Victor Heindl, Mélanie Adami, Judit Polgar | A♭ Major | 1 | 4B | 142 BPM | ||
Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 8, Allerseelen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
6 Gedichte, Op. 14: No. 2, So fügt sich Blüt'- an Blütezeit | Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar | B♭ Minor | 1 | 3A | 121 BPM |
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