"Lucia di Lammermoor, Act II: Sconsigliato in queste porte" by Gaetano Donizetti, Stefano Antonucci, Andrea Bocelli, Mariano Buccino, Zuzana Markova, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych was released on September 8, 2023. The duration of Lucia di Lammermoor, Act II: Sconsigliato in queste porte is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Lucia di Lammermoor, Act II: Sconsigliato in queste porte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 39 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Zuzana Markova, Andrea Bocelli, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Lucia di Lammermoor, Act II: Sconsigliato in queste porte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act II: Sconsigliato in queste porte by Gaetano Donizetti, Stefano Antonucci, Andrea Bocelli, Mariano Buccino, Zuzana Markova, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Così fan tutte, K.588 / Act 1: "Al fato dan legge" - "La commedia è graziosa" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Karita Mattila, Anne Sofie von Otter, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 105 BPM | ||
Lucia di Lammermoor / Act 1: Quando rapito in estasi | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | G Major | 1 | 9B | 118 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
L'elisir d'amore, Act I: "Benedette queste carte!" | Gaetano Donizetti, Kathleen Battle, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, David Stivender, Metropolitan Opera Orchestra, James Levine | E Major | 1 | 12B | 102 BPM | ||
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | ||
Andante in F Minor | Lajos Lencsés, Gaetano Donizetti, Stuttgart Arcata Chamber Orchestra, Patrick Strub | F Minor | 1 | 4A | 63 BPM |
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