"Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato" by Henri Dutilleux, Seattle Symphony Orchestra, Ludovic Morlot was released on August 14, 2015. Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato appears to be safe for all ages as it is not explicit. The song is number 12 out of 12 in Dutilleux: Métaboles, L'arbre des songes & Symphony No. 2 "Le double" by Henri Dutilleux, Seattle Symphony Orchestra, Ludovic Morlot. In terms of popularity, Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato by Henri Dutilleux, Seattle Symphony Orchestra, Ludovic Morlot is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dutilleux: Piano Sonata: II. Lent | Henri Dutilleux, Anne Queffélec | D♭ Major | 0 | 3B | 70 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Métaboles: III. Obsessionel | Henri Dutilleux, Seattle Symphony Orchestra, Ludovic Morlot | A♭ Major | 2 | 4B | 130 BPM | ||
Turangalîla-Symphony: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM | ||
Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | Maurice Ravel, Alina Ibragimova, Cédric Tiberghien | D Major | 2 | 10B | 163 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
Variaciones Concertantes, Op. 23: III. Variazione giocosa per flauto | Alberto Ginastera, Magdalena Barrera, Orquesta Ciudad De Granada, Josep Pons | E Minor | 1 | 9A | 136 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM | ||
Serenade: III. Eryximachus. Presto | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM |
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