Gaspar Fernandes, Coro Ciudad de la Alhambra, Ensemble Elyma, Gabriel Garrido made "Para la llegada del virrey don Diego Fernández de Córdoba: I. Elegit eum Dominus" available on July 7, 2017. With Para la llegada del virrey don Diego Fernández de Córdoba: I. Elegit eum Dominus being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Coro Ciudad de la Alhambra, Ensemble Elyma, Gabriel Garrido's "Musique à la Cathédrale d'Oaxaca" album is number 1 out of 29. In terms of popularity, Para la llegada del virrey don Diego Fernández de Córdoba: I. Elegit eum Dominus is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Para la llegada del virrey don Diego Fernández de Córdoba: I. Elegit eum Dominus by Gaspar Fernandes, Coro Ciudad de la Alhambra, Ensemble Elyma, Gabriel Garrido to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cum essem parvulus | Orlande de Lassus, Odhecaton, Paolo da Col | B Minor | 1 | 10A | 137 BPM | ||
Cantiones sacrae: Surrexit Christus hodie, SSWV 18 | Samuel Scheidt, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
Gli amori d'Apollo e di Dafne, Act III: Act III: Sinfonia | Francesco Cavalli, Ensemble Elyma, Gabriel Garrido | B♭ Minor | 5 | 3A | 106 BPM | ||
Vezzosi augelli | Giaches de Wert, La Venexiana, Claudio Cavina | F♯ Major | 1 | 2B | 70 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM | ||
The Little Consort, Suite No. 7 in G Minor and G Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | F♯ Major | 1 | 2B | 98 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Susato: Het derdren musyck boexken "Danserye": Ronde VII "Il estoit une fillette" (D'après Janequin) | Tylman Susato, Michel Piguet, Ricercare-Ensemble Zürich | B♭ Major | 1 | 6B | 73 BPM | ||
Andrés do queda el ganado (Transcr. A. Tello) | Gaspar Fernandes, Adalys Santiesteban, Elier Muñoz, Karim Díaz, Lixsania Fernández, Etienne Meyer, Conjunto de Música Antigua Ars Longa, Teresa Paz | F Major | 3 | 7B | 125 BPM |
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