"Cantiones sacrae: Surrexit Christus hodie, SSWV 18" by Samuel Scheidt, Ensemble Altera, Christopher Lowrey was released on March 22, 2024. With Cantiones sacrae: Surrexit Christus hodie, SSWV 18 being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Lamb's Journey. A Choral Narrative from Gibbons to Barber". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Cantiones sacrae: Surrexit Christus hodie, SSWV 18 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantiones sacrae: Surrexit Christus hodie, SSWV 18 by Samuel Scheidt, Ensemble Altera, Christopher Lowrey having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Magnificat in B flat major: Suscepit Israel | Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock | B Major | 0 | 1B | 105 BPM | ||
Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | A♭ Minor | 2 | 1A | 121 BPM | ||
Dowland: The First Booke of Songes: IX. Go Crystall Teares | John Dowland, The Hilliard Ensemble, Paul Hillier | C Minor | 1 | 5A | 175 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
Courtly Masquing Ayres: No. 20 | John Adson, The Prague Brass Soloists | F Major | 2 | 7B | 181 BPM | ||
Allein Gott in der Hoh sei Ehr, SwWV 299: Varitation 3 | Jan Pieterszoon Sweelinck, Joseph Kelemen | E Major | 2 | 12B | 67 BPM | ||
In Nomine à 5 "Trust" | Christopher Tye, Fretwork | C Minor | 0 | 5A | 62 BPM |
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