Wolfgang Amadeus Mozart, Matthias Rácz, Rafael Rosenfeld's 'Sonata for Bassoon & Cello in B-Flat Major, K. 292: II. Andante' came out on February 26, 2016. Sonata for Bassoon & Cello in B-Flat Major, K. 292: II. Andante is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Matthias Rácz's "Mozart: Sonata for Bassoon & Cello in B-Flat Major, K. 292 - Devienne: Bassoon Quartets, Op. 73" album is number 2 out of 12. Based on our statistics, Sonata for Bassoon & Cello in B-Flat Major, K. 292: II. Andante's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Bassoon & Cello in B-Flat Major, K. 292: II. Andante by Wolfgang Amadeus Mozart, Matthias Rácz, Rafael Rosenfeld to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Piano Sonata No. 18 in D Major, K. 576: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | A Major | 0 | 11B | 65 BPM | ||
Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | F Major | 1 | 7B | 123 BPM | ||
String Quartet No. 19 in C Major, K. 465 "Dissonance": II. Andante cantabile | Wolfgang Amadeus Mozart, Emerson String Quartet | F Major | 0 | 7B | 94 BPM | ||
Fauré: Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Roland Pidoux, Jean-Claude Pennetier | E♭ Major | 0 | 5B | 121 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |
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