"Fauré: Cello Sonata No. 1 in D Minor, Op. 109: II. Andante" by Gabriel Fauré, Roland Pidoux, Jean-Claude Pennetier had its release date on September 19, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 40 Most Beautiful Cello Classics, so we believe that "Fauré: Cello Sonata No. 1 in D Minor, Op. 109: II. Andante" is a single. Based on our statistics, Fauré: Cello Sonata No. 1 in D Minor, Op. 109: II. Andante's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Cello Sonata No. 1 in D Minor, Op. 109: II. Andante by Gabriel Fauré, Roland Pidoux, Jean-Claude Pennetier is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Symphony No. 99 in E-Flat Major, Hob.I:99: II. Adagio | Franz Joseph Haydn, Heidelberg Symphony Orchestra, Thomas Fey | G Major | 0 | 9B | 115 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 3. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 2 | 12B | 88 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 21 in A | Niccolò Paganini, Itzhak Perlman | A Major | 1 | 11B | 57 BPM | ||
Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Johannes Moser, Ewa Kupiec | B♭ Major | 0 | 6B | 85 BPM |