Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp's 'Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo' came out on June 4, 2013. Since Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weber, Mozart & Hummel: Bassoon Concertos by Matthias Rácz, Johannes Klumpp. The song's track number on the album is #1 out of 10 tracks. Based on our statistics, Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo by Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp has a tempo of 123 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo being at 123 BPM, the half-time would be 62 BPM with a double-time of 246 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 5 | 10B | 116 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Concerto for Bassoon, Strings & Continuo in B flat Major, RV 501 "La Notte": II. Presto | Antonio Vivaldi, Peter Whelan, La Serenissima, Adrian Chandler | F Major | 3 | 7B | 100 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Polacca | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 104 BPM |
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