"Le carnaval des animaux, R. 125: 2. Poules et Coqs" by Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic was released on November 2, 2018. With Le carnaval des animaux, R. 125: 2. Poules et Coqs being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #18. In terms of popularity, Le carnaval des animaux, R. 125: 2. Poules et Coqs is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le carnaval des animaux, R. 125: 2. Poules et Coqs by Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
String Quartet in D minor, Op.56 "Voces intimae": 4. Allegretto (ma pesante) | Jean Sibelius, Guarneri Quartet | D Minor | 1 | 7A | 76 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | D Major | 1 | 10B | 133 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Le Carnaval des Animaux (The Carnival of the Animals), R. 125, V. L'Éléphant (The Elephant): II. Allegretto pomposo | Camille Saint-Saëns, Yuli Turovsky, I Musici de Montréal, David Owen Norris, Gregory Shaverdian, Marc-André Coallier | E♭ Major | 0 | 5B | 114 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - [Lento] (attacca:) - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 102 BPM |
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