"A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March - A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March" by Mary Jane Newman was released on October 9, 2007. With this song being about 5 minutes long, at 4:34, "A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March - A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March" by Mary Jane Newman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wedding: Music & Words by Mary Jane Newman. The song's track number on the album is #25 out of 26 tracks. Based on our data, United States was the country where this track was produced or recorded. A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March - A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March - A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March by Mary Jane Newman has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March - A Midsummer Night's Dream, Op. 61: Act V: Entr'acte: Wedding March being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat super Ecce Maria et Sydus ex claro: Freut euch, ihr lieben Christen (1) | Michael Praetorius, Parthenia XII, Mary Jane Newman | D Minor | 1 | 7A | 74 BPM | ||
Violin Romance No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Arthur Grumiaux, New Philharmonia Orchestra, Edo de Waart | C Major | 2 | 8B | 75 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM | ||
Trumpet Voluntary, op. 6, no. 5: Voluntary | John Stanley, Douglas Bush, David Brown | D Major | 2 | 10B | 61 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Orphee et Eurydice, Act II, Dance of the Blessed Spirits, Orfeo ed Euridice, Act II: Orfeo ed Euridice, Act II: Dance of the Blessed Spirits (arr. for flute and harp) | Donald Sosin, Christoph Willibald Gluck, Nora Shulman, Judy Loman | F Major | 1 | 7B | 82 BPM | ||
Capriccio Espagnol, Op. 34: 2. Variazioni | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | F Major | 0 | 7B | 80 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Pergolesi: Stabat Mater: I. Stabat mater dolorosa | Paul Daniel, Lesley Garrett, Robin Blaze | F Minor | 1 | 4A | 93 BPM | ||
Mass for 4 Voices: Credo | William Byrd, Parthenia XVI, Mary Jane Newman | A Major | 1 | 11B | 87 BPM |
Section: 0.6047244071960449
End: 0.6082553863525391