Ludwig van Beethoven, Arthur Grumiaux, New Philharmonia Orchestra, Edo de Waart's 'Violin Romance No. 2 in F Major, Op. 50' came out on January 1, 2000. Since Violin Romance No. 2 in F Major, Op. 50 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 5 in Beethoven: Violin Concerto; 2 Romances by Ludwig van Beethoven, Arthur Grumiaux, Royal Concertgebouw Orchestra, Sir Colin Davis, New Philharmonia Orchestra, Edo de Waart. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Violin Romance No. 2 in F Major, Op. 50 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Romance No. 2 in F Major, Op. 50 by Ludwig van Beethoven, Arthur Grumiaux, New Philharmonia Orchestra, Edo de Waart is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Dolly Suite, Op. 56: I. Berceuse (For Piano 4-Hands) | Gabriel Fauré, Jean-Philippe Collard | E Major | 1 | 12B | 140 BPM | ||
Kreisleriana, Op. 16: No. 1, Ausserst bewegt | Robert Schumann, Laurent Cabasso | B♭ Major | 1 | 6B | 82 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Romance for Violin and Orchestra No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Ilmar Lapinsch, Russian Philharmonic Symphony Orchestra, Alexei Bruni | D Minor | 2 | 7A | 75 BPM | ||
Violin Concerto in E Major, BWV 1042: III. Allegro Assai | Arthur Grumiaux, Zurich Chamber Orchestra, Johann Sebastian Bach, Edmond De Stoutz | E Major | 3 | 12B | 86 BPM |
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