- BPM
- 89
- Key
- G Major
- Camelot
- 9B
Memento - James MacMillan, Emperor Quartet Information
- Acousticness
- 81%
- Danceability
- 16%
- Energy
- 0%
- Instrumentalness
- 9%
- Liveness
- 19%
- Loudness
- 39%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 6%
- Loudness
- -36.397 dB
Summary
"Memento" by James MacMillan, Emperor Quartet was released on February 1, 2002. With this song being about 5 minutes long, at 5:00, "Memento" by James MacMillan, Emperor Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in James MacMillan's "Macmillan: Why Is This Night Different? / Tuireadh / Visions of A November Spring" album is number 5 out of 5. Memento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Memento BPM
We consider the tempo marking of Memento by James MacMillan, Emperor Quartet to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Memento Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Suite on English Folk Tunes: "A Time There Was", Op. 90: II. The bitter whey | Benjamin Britten, Britten Sinfonia, James MacMillan | G Major | 0 | 9B | 95 BPM | |
 | When to the Temple Mary Went | Johannes Eccard, Christ Church Cathedral Choir, Stephen Farr, Stephen Darlington | D Minor | 0 | 7A | 78 BPM | |
 | Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | |
 | Missa Maria Magdalena: Agnus Dei | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | D Major | 1 | 10B | 86 BPM | |
 | Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | |
 | The Lamb | Kim André Arnesen, Kantorei, Joel Rinsema | B Minor | 0 | 10A | 126 BPM | |
 | Te Deum in B-Flat | Charles Villiers Stanford, Mark Blatchly, Barry Rose | B♭ Major | 2 | 6B | 91 BPM | |
 | Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | |
 | Ave Regina caelorum | Kenneth Tay, University of Glasgow Chapel Choir, Katy Lavinia Cooper | A Major | 1 | 11B | 80 BPM | |
 | In pace in idipsum: In pace in idipsum | John Sheppard, Stile Antico | A♭ Major | 1 | 4B | 86 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6026809215545654
End: 0.6057593822479248