Hans Christian Lumbye, Wilhelm Christian Holm, Aalborg Symphony Orchestra, Peter Ernst Lassen made "The King's Volunteers on Amager: A cannon shot in the distance suggests danger" available on January 1, 2005. The duration of The King's Volunteers on Amager: A cannon shot in the distance suggests danger is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The King's Volunteers on Amager: A cannon shot in the distance suggests danger's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. In terms of popularity, The King's Volunteers on Amager: A cannon shot in the distance suggests danger is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The King's Volunteers on Amager: A cannon shot in the distance suggests danger by Hans Christian Lumbye, Wilhelm Christian Holm, Aalborg Symphony Orchestra, Peter Ernst Lassen is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: I. Prélude | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 3 | 3B | 81 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
Aida - Triumphal March: Aida - Triumphal March - Live | Giuseppe Verdi, American Symphony Orchestra, Leon Botstein | E♭ Major | 1 | 5B | 98 BPM | ||
Auf Flügeln der Liebe Polka schnell, op. 171 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 153 BPM | ||
Water Music Suite No. 2 in D, HWV 349: 2. Alla Hornpipe | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 112 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Verdi: Aïda, Act 2: Triumphal march | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E♭ Major | 0 | 5B | 93 BPM | ||
Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM |
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