- BPM
- 98
- Key
- E♭ Major
- Camelot
- 5B
Aida - Triumphal March: Aida - Triumphal March - Live - Giuseppe Verdi, American Symphony Orchestra, Leon Botstein Information
- Acousticness
- 96%
- Danceability
- 30%
- Energy
- 9%
- Instrumentalness
- 87%
- Liveness
- 53%
- Loudness
- 66%
- Speechiness
- 3%
- Valence
- 23%
- Popularity
- 33%
- Loudness
- -20.609 dB
Summary
Giuseppe Verdi, American Symphony Orchestra, Leon Botstein's 'Aida - Triumphal March: Aida - Triumphal March - Live' came out on June 30, 2010. Since Aida - Triumphal March: Aida - Triumphal March - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Verdi: Aida - Triumphal March only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Aida - Triumphal March: Aida - Triumphal March - Live is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Aida - Triumphal March: Aida - Triumphal March - Live BPM
Since Aida - Triumphal March: Aida - Triumphal March - Live by Giuseppe Verdi, American Symphony Orchestra, Leon Botstein has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aida - Triumphal March: Aida - Triumphal March - Live being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Aida - Triumphal March: Aida - Triumphal March - Live Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | España: Espana | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | F Major | 3 | 7B | 117 BPM | |
 | Imperial Fanfare | Antonio Salieri, Vienna Art of Trumpet, Leonhard Leeb | F Minor | 2 | 4A | 80 BPM | |
 | Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Major | 3 | 3B | 141 BPM | |
 | Pavanne | Peter Cooper, Marcia Labella | F♯ Minor | 1 | 11A | 69 BPM | |
 | Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | |
 | Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | |
 | La Damnation de Faust, Op. 24 / Part 1: Marche hongroise | Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch | A Minor | 4 | 8A | 102 BPM | |
 | Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | |
 | Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | |
 | Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6220924854278564
End: 0.6269402503967285