Traditional, Hespèrion XXI, Montserrat Figueras's 'Marceta No'm Faces Plorar, C. 1700 (Anon. Alicante)' came out on January 1, 2002. Marceta No'm Faces Plorar, C. 1700 (Anon. Alicante) is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Ninna Nanna Ca. 1500-2002". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Switzerland. Marceta No'm Faces Plorar, C. 1700 (Anon. Alicante) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Marceta No'm Faces Plorar, C. 1700 (Anon. Alicante) by Traditional, Hespèrion XXI, Montserrat Figueras having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Mass in B Minor, BWV 232: 14. Agnus Dei | Johann Sebastian Bach, Andreas Scholl, Philippe Herreweghe, Collegium Vocale Gent | B Minor | 2 | 10A | 63 BPM | ||
Mass No. 4 in C Major, Op. 48, D. 452: Credo: Et incarnatus est | Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi) | Accademia Bizantina | B♭ Major | 0 | 6B | 65 BPM | ||
Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, John Eliot Gardiner, Monteverdi Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Beata Viscera | Pérotin, The Hilliard Ensemble | A♭ Minor | 0 | 1A | 85 BPM | ||
Pièces de viole, Livre IV, Suite d'un goût étranger | Marin Marais, Ensemble Fitzwilliam, Pascal Monteilhet | B Major | 0 | 1B | 126 BPM | ||
La Jeune Fille en Feu (Bande originale du film) | Para One, Arthur Simonini | C Major | 1 | 8B | 150 BPM | ||
Allegri: Miserere (Excerpt) | Gregorio Allegri, Stephen Cleobury, Timothy Beasley-Murray | G Minor | 1 | 6A | 108 BPM | ||
Bach, JS: St John Passion, BWV 245, Part 1: No. 1 "Herr, unser Herrscher" (Chorus) | Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre | B Minor | 1 | 10A | 123 BPM |
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