"Pièces de viole, Livre IV, Suite d'un goût étranger" by Marin Marais, Ensemble Fitzwilliam, Pascal Monteilhet was released on January 1, 1994. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Marin Marais, Pascal Monteilhet, Ensemble Fitzwilliam, Jean-Pierre Nicolas's "Marais: Pièces en trio" album is number 20 out of 30. On top of that, France appears to be the country where this track was created. Based on our statistics, Pièces de viole, Livre IV, Suite d'un goût étranger's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole, Livre IV, Suite d'un goût étranger by Marin Marais, Ensemble Fitzwilliam, Pascal Monteilhet to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Pièce d'Orgue in G Major, BWV 572 à 6 | Johann Sebastian Bach, Fretwork | F♯ Major | 1 | 2B | 116 BPM | ||
Le Basque (arr. for flute and harp) | James Galway, Marin Marais, Wayne Hedrick, Hye Hun Chung Bennett | F Major | 2 | 7B | 120 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
John Dowland: Melancholy Galliard | Julian Bream | A♭ Major | 1 | 4B | 87 BPM | ||
Partita in A Minor, BWV 1013: I. Allemande | Johann Sebastian Bach, Verena Fischer | A♭ Minor | 0 | 1A | 79 BPM | ||
Sonata in D Major, No. 1: I. Grave - Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 1 | 4B | 147 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Manuscrit Panmure: Courante in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | A♭ Minor | 2 | 1A | 141 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
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