Accademia Bizantina's 'Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi)' came out on 2002. The duration of Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: L'Estro Armonico op. 3, Vol. 1: Concertos Nos. 1-6 by Accademia Bizantina. The song's track number on the album is #9 out of 20 tracks. Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi) by Accademia Bizantina has a tempo of 65 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Concerto No. 3 In G Major RV 310: II. Largo (Vivaldi) being at 65 BPM, the half-time would be 32 BPM with a double-time of 130 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Cantata No. 196, BWV 196 "Der Herr denket an uns": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | B Minor | 1 | 10A | 77 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
I - Largo from: Cello Sonata No. 2 in c minor | Accademia Bizantina | F♯ Minor | 1 | 11A | 128 BPM | ||
Concerto Grosso No. 6 in D Major (after D. Scarlatti): III. Adagio | Charles Avison, I Musici | D Minor | 0 | 7A | 168 BPM | ||
Cello Concerto in G Major, INP 18: II. Allegro | Nicola Porpora, Ophélie Gaillard, Pulcinella Orchestra | F♯ Major | 1 | 2B | 80 BPM | ||
Die Kunst der Fuge, BWV 1080 - Arr. for Chamber Orchestra: 16. Canon per Augmentationem in Contrario Motu | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerto No. 5 In A Major RV 519: III. Allegro (Vivaldi) | Accademia Bizantina | A♭ Major | 3 | 4B | 146 BPM | ||
Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.1 in D minor : IV Allegro assai | Evaristo Felice Dall'Abaco, Concerto Köln | E Major | 3 | 12B | 117 BPM |
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