Lang Lang's '12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11' came out on November 15, 2019. The duration of 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11 is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 47 in the song's album "Piano Book (Encore Edition)". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Germany. 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Variations in C Major on "Ah, vous dirai-je Maman", K. 265: Variation No. 11 by Lang Lang having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Maiden's Prayer, Op. 4 | Lang Lang | E♭ Major | 1 | 5B | 60 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Marionnettes, Op. 29 | Anatoly Lyadov, Yoko Kikuchi | E♭ Major | 1 | 5B | 122 BPM | ||
Valse lente | Germaine Tailleferre, Lang Lang | F♯ Minor | 0 | 11A | 80 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Sonata in G Major, K. 14 | Domenico Scarlatti, Lucas Debargue | G Major | 2 | 9B | 91 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM |
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