"For Children, Sz. 42, Vol. 1: No. 40, Swineherd's Song" by Béla Bartók, Lívia Rév had its release date on May 1, 1987. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. For Children, Sz. 42, Vol. 1: No. 40, Swineherd's Song's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 33 in For Children: Piano Music for the Young to Play and Enjoy by Lívia Rév, Johann Sebastian Bach, Louis-Claude Daquin, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Robert Schumann, Frédéric Chopin, Franz Liszt, Georges Bizet, Gabriel Fauré, Pyotr Ilyich Tchaikovsky, Heitor Villa-Lobos, André Jolivet, Sergei Prokofiev, Claude Debussy, Béla Bartók, Milosz Magin, Janez Matičič. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. For Children, Sz. 42, Vol. 1: No. 40, Swineherd's Song is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of For Children, Sz. 42, Vol. 1: No. 40, Swineherd's Song by Béla Bartók, Lívia Rév is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
4 Pieces, Op. 51: 2. Prélude | Alexander Scriabin, Evgeny Kissin | F Major | 0 | 7B | 75 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Piano Concerto No. 2, BB 101, Sz. 95: III. Allegro molto | Béla Bartók, Leif Ove Andsnes, Berliner Philharmoniker, Pierre Boulez | B♭ Minor | 4 | 3A | 109 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |