"The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo" by Lev Atovmyan, Dmitri Shostakovich, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov was released on February 23, 2010. With this song being about 5 minutes long, at 5:05, "The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo" by Lev Atovmyan, Dmitri Shostakovich, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Shostakovich, D.: Young Guard Suite (The) / Zoya Suite". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Young Guard Suite, Op. 75a (arr. L. Atovmyan): III. Scherzo by Lev Atovmyan, Dmitri Shostakovich, Byelorussian Radio and TV Symphony Orchestra, Walter Mnatsakanov having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 2 (arr. L. Atovmyan): II. Adagio (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Robert Nagel, Bernard Greenhouse, Columbia Symphony Orchestra, Efrem Kurtz | D Major | 0 | 10B | 128 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Trout Quintet: Theme and variations | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Ballet Suite No. 2 (arr. L. Atovmyan): Sentimental Romance (The Tale of a Priest and His Servant Balda) | Lev Atovmyan, Dmitri Shostakovich, Oleg Tokathev, Dmitry Yablonsky, Russian Philharmonic Orchestra | D Minor | 0 | 7A | 132 BPM | ||
Danzas fantasticas, Op. 22: Orgia | Joaquín Turina, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | D Major | 2 | 10B | 136 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Don Quixote: Act IV: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 4 | 9B | 132 BPM |
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