Claudio Monteverdi, Alfred Deller, Deller Consort made "Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Non partir, ritrosetta (sv165)" available on May 19, 2009. The duration of Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Non partir, ritrosetta (sv165) is about 3 minutes long, at 3:18. Based on our data, "Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Non partir, ritrosetta (sv165)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Non partir, ritrosetta (sv165) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 -Non partir, ritrosetta (sv165) by Claudio Monteverdi, Alfred Deller, Deller Consort is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Gavotte pour les Suisses | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 121 BPM | ||
Madrigals, Book III: Ch'io non t'ami, cor mio? | Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Sonia Telda, Andrés Montilla, Raffaele Giordani, Salvo Vitale, Claudio Monteverdi, Livio Celiano | D♭ Major | 1 | 3B | 138 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Pièces de violes, Livre V: Petit caprice | Marin Marais, Gerald Stempfel, Thorsten Bleich | B Major | 2 | 1B | 124 BPM | ||
Zefiro torna | Claudio Monteverdi, Leif Aruhn-Solén, Johan Linderoth, David Gammelgård, Anders Ericson, Fredrik Malmberg | F Major | 2 | 7B | 76 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | E♭ Minor | 1 | 2A | 114 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM |
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