Marin Marais, Gerald Stempfel, Thorsten Bleich's ' "Pièces de violes, Livre V: Petit caprice" was released on its scheduled release date, February 26, 2016. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Gerald Stempfel, Thorsten Bleich's "Improvisations sur les suites de Marin Marais (Improvisations after Marin Marais' Pièces de viole)" album is number 5 out of 24. Based on our statistics, Pièces de violes, Livre V: Petit caprice's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Pièces de violes, Livre V: Petit caprice by Marin Marais, Gerald Stempfel, Thorsten Bleich to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Cello and Bassoon in E Minor, RV 409: III. Allegro | Antonio Vivaldi, Anastasia Kobekina, Kammerorchester Basel | F♯ Major | 2 | 2B | 142 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Pièces de violes, Livre IV: Gavotte II | Marin Marais, Gerald Stempfel, Thorsten Bleich | A♭ Minor | 2 | 1A | 42 BPM | ||
La dama le demanda | Fahmi Alqhai, Antonio de Cabezón, Accademia del Piacere | F♯ Minor | 1 | 11A | 82 BPM | ||
Suite in D Minor: VII. La poste | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Pièces de viole, Livre IV, Suite d'un goût étranger: No. 82 in F Minor, La rêveuse | Marin Marais, Ensemble Fitzwilliam, Pascal Monteilhet | D♭ Major | 2 | 3B | 142 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Quatuor No. 3 in G Major: VI. Gai | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | F♯ Major | 2 | 2B | 130 BPM | ||
Fantasia in 3 parts (MB 48 No. 8) | Orlando Gibbons, Fretwork | F Minor | 1 | 4A | 131 BPM |