"Dolly Suite, Op. 56 (arr. H. Rabaud): VI. Le pas espagnol" by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis was released on June 11, 1997. The duration of Dolly Suite, Op. 56 (arr. H. Rabaud): VI. Le pas espagnol is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Dolly Suite, Op. 56 (arr. H. Rabaud): VI. Le pas espagnol's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 16 in Faure (The Best Of) by Gabriel Fauré. Based on our statistics, Dolly Suite, Op. 56 (arr. H. Rabaud): VI. Le pas espagnol's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly Suite, Op. 56 (arr. H. Rabaud): VI. Le pas espagnol by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Solo de concours, Op. 10 | Henri Rabaud, Michael Collins, Noriko Ogawa | F Major | 1 | 7B | 101 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Wedding Day of Troldhaugen op. 65 Tempo di Marcia un poco vivace | Academy of St. Martin in the Fields | D Major | 0 | 10B | 113 BPM | ||
By the Waters of Moyle: By The Waters Of Moyle (Nocturne For Orchestra) | John F. Larchet, RTE Sinfonietta, Proinnsias O'Duinn | G Minor | 0 | 6A | 61 BPM | ||
"Hamlet" - music from the film: In the Garden | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | G Major | 0 | 9B | 140 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM |
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