On January 1, 1988, the song "Scarlatti, D: Keyboard Sonata in A Minor, Kk. 36" was released by Domenico Scarlatti, Scott Ross. The duration of Scarlatti, D: Keyboard Sonata in A Minor, Kk. 36 is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Scarlatti, D: Keyboard Sonata in A Minor, Kk. 36's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Scarlatti: The Complete Keyboard Works, Vol. 2: Sonatas, Kk. 31 - 50". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Scarlatti, D: Keyboard Sonata in A Minor, Kk. 36 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Scarlatti, D: Keyboard Sonata in A Minor, Kk. 36 by Domenico Scarlatti, Scott Ross having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Sonata in C Major (arr. of Sonata K.487/L.205) | Carl Tausig, Domenico Scarlatti, Sandro Russo | D♭ Major | 2 | 3B | 127 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": II. Andante | Wolfgang Amadeus Mozart, Maria João Pires | G Major | 1 | 9B | 112 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
Section: 0.6586565971374512
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