"Les Troyens / Act 4: No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès"" by Hector Berlioz, Françoise Pollet, Jean-Luc Maurette, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1994. Les Troyens / Act 4: No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès" is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The song is number 8 out of 62 in Berlioz: Les Troyens by Hector Berlioz, Deborah Voigt, Françoise Pollet, Gary Lakes, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit. The popularity of Les Troyens / Act 4: No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Troyens / Act 4: No.34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès" by Hector Berlioz, Françoise Pollet, Jean-Luc Maurette, Orchestre Symphonique de Montréal, Charles Dutoit is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. Saltarello | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Minor | 1 | 9A | 100 BPM | ||
Te Deum, Op. 22: Judex crederis - Live | Hector Berlioz, Martin Haselböck, European Community Youth Orchestra, Claudio Abbado, London Symphony Chorus, London Philharmonic Choir, Wooburn Singers, St. Alban's School Choir, Haberdasher's Aske's School Boy's Choir, Southend Boys Choir, Desborough School Choir, The Choir of Forest School, Winnersh, The Choirboys of High Wycombe Parish Church | B♭ Minor | 2 | 3A | 67 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM |
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