""Land Of Hope And Glory" from Pomp And Circumstance in D major, Op. 39, March N°1" by The London Symphony Orchestra - The London Symphony Chorus was released on January 11, 2010. The duration of "Land Of Hope And Glory" from Pomp And Circumstance in D major, Op. 39, March N°1 is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. "Land Of Hope And Glory" from Pomp And Circumstance in D major, Op. 39, March N°1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 100 in the song's album "The London Symphony Orchestra: The Top 100 of Classical Music". In this album, this song's track order is #8. "Land Of Hope And Glory" from Pomp And Circumstance in D major, Op. 39, March N°1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Land Of Hope And Glory" from Pomp And Circumstance in D major, Op. 39, March N°1 by The London Symphony Orchestra - The London Symphony Chorus having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
I Vow To Thee My Country | Gustav Holst, The Coldstream Guards Band | E♭ Major | 3 | 5B | 60 BPM | ||
Coppélia / Tableau 3: No. 20 Fête de la cloche: 8) Galop final | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | E♭ Major | 5 | 5B | 120 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
Norwegian Peasant Dances, Op. 72 | Edvard Grieg, Isabel Mourao | E Major | 3 | 12B | 146 BPM | ||
Der Barbier von Sevilla - Ouvertüre (The Barber of Seville - Overture) | Gioachino Rossini, Wolfgang Gröhs | C Major | 6 | 8B | 172 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
Tritsch-Tratsch-Polka | Johann Strauss Orchester | A Major | 4 | 11B | 159 BPM | ||
Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM |
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