"Xerxes, HWV 40, Act I: Ombra mai fu (Largo)" by George Frideric Handel, Shigeo Genda, Yoshikazu Mela, Japan Philharmonic Orchestra was released on October 9, 2021. The duration of Xerxes, HWV 40, Act I: Ombra mai fu (Largo) is about 3 minutes long, at 3:04. Based on our data, "Xerxes, HWV 40, Act I: Ombra mai fu (Largo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Xerxes, HWV 40, Act I: Ombra mai fu (Largo)" is a single. Based on our statistics, Xerxes, HWV 40, Act I: Ombra mai fu (Largo)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Xerxes, HWV 40, Act I: Ombra mai fu (Largo) by George Frideric Handel, Shigeo Genda, Yoshikazu Mela, Japan Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Water Music: Suite No. 2 in D, HWV 349: XIII. Minuet | George Frideric Handel, Syrène Saxophone Quartet | D Major | 1 | 10B | 85 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen" | Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, The London Oratory Junior Choir, John Eliot Gardiner | E♭ Minor | 1 | 2A | 81 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM |
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