"Gesproken tekst 20: Adage 2100. "Woorden zijn de heelmeesters van zieke zielen" / Muziek: Now o Now" by La Capella Reial De Catalunya, Hespèrion XXI, Daan Verlaan, Xavier Diaz-Latorre, Jordi Savall was released on 2012. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 91 in Erasmus - Lof der zotheid (Nederlandse versie) by La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Gesproken tekst 20: Adage 2100. "Woorden zijn de heelmeesters van zieke zielen" / Muziek: Now o Now is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gesproken tekst 20: Adage 2100. "Woorden zijn de heelmeesters van zieke zielen" / Muziek: Now o Now by La Capella Reial De Catalunya, Hespèrion XXI, Daan Verlaan, Xavier Diaz-Latorre, Jordi Savall is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
Folias (Imperfectas) | Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
Ductia (CSM 123) instr. | T Rad, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | E Minor | 2 | 9A | 142 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM |
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