William Grant Still, Fort Smith Symphony, John Jeter made "Symphony No. 3, "The Sunday Symphony": III. Relaxation: Gaily" available on December 6, 2011. The duration of Symphony No. 3, "The Sunday Symphony": III. Relaxation: Gaily is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Symphony No. 3, "The Sunday Symphony": III. Relaxation: Gaily's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Still: Symphonies Nos. 2 & 3 - Wood Notes". In this album, this song's track order is #11. Symphony No. 3, "The Sunday Symphony": III. Relaxation: Gaily is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 3, "The Sunday Symphony": III. Relaxation: Gaily by William Grant Still, Fort Smith Symphony, John Jeter having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scott: Lotus Land, Op. 47 No. 1 | Cyril Scott, Leif Ove Andsnes | E♭ Minor | 0 | 2A | 66 BPM | ||
Songs Of Separation: I. Idolatry | William Grant Still, Louis Kaufman, George Berres, Alexander Neiman, Terry King, Georgia Akst, Claudine Carlson | D Minor | 1 | 7A | 176 BPM | ||
Prince and the Mermaid Suite: III. Minuet | William Grant Still, Fritz Gearhart, Kathryn Lucktenberg, Leslie Straka, Steve Pologe | G Major | 1 | 9B | 119 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Mrs. Potter's Garden | Frerick Den Haan | F♯ Minor | 0 | 11A | 87 BPM | ||
Suite for Violin & Piano: III. Gamin | William Grant Still, Rachel Barton Pine, Matthew Hagle | B Minor | 2 | 10A | 96 BPM | ||
Valses pour 2 pianos: Valse lente | Germaine Tailleferre, Edouard Exerjean, Philippe Corre | B Minor | 0 | 10A | 71 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
Symphony No. 2 in G Minor, "Song of a New Race": IV. Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | G Minor | 1 | 6A | 65 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM |
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