"Matthäus-Passion, BWV 244, Prima parte: Nr.1. Chorus I & II "Kommt, ihr Töchter, helft mir klagen"" by Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Maitrise De Radio France had its release date on March 11, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout, Sabine Devieilhe, Lucile Richardot, Christian Immler, Reinoud Van Mechelen, Maitrise De Radio France's "J. S. Bach: Matthäus-Passion, BWV 244" album is number 1 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Matthäus-Passion, BWV 244, Prima parte: Nr.1. Chorus I & II "Kommt, ihr Töchter, helft mir klagen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Prima parte: Nr.1. Chorus I & II "Kommt, ihr Töchter, helft mir klagen" by Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Maitrise De Radio France to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Halt, was du hast | Johann Michael Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 88 BPM | ||
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Aria: "Ei! Wie schmeckt der Kaffee süße" | Johann Sebastian Bach, Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood | G Major | 8 | 9B | 83 BPM | ||
Mozart: Thamos, König in Aegypten, K. 345: No. 5 Entr'acte | Wolfgang Amadeus Mozart, Sabine Devieilhe, Raphael Pichon, Ensemble Pygmalion | D Major | 2 | 10B | 87 BPM | ||
Psalm 23, D.706: Gott ist mein Hirt | Franz Schubert, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | C Major | 1 | 8B | 120 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Il Ballo degli reali Amanti: 37. O che nuovo miracolo a 5, a 3 "La Pellegrina" | Emilio de' Cavalieri, Ensemble Pygmalion, Raphael Pichon, Sophie Junker, Luciana Mancini, Maïlys De Villoutreys | G Major | 3 | 9B | 91 BPM | ||
Herz und Mund und Tat und Leben (Chorus) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | B Major | 3 | 1B | 97 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Ich habe genug, BWV 82: I. Aria. "Ich habe genug" | Johann Sebastian Bach, Matthew Brook, Dunedin Consort, John Butt | B Minor | 1 | 10A | 89 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM |