Johann Sebastian Bach, Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood's 'Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Aria: "Ei! Wie schmeckt der Kaffee süße"' came out on January 1, 1987. With this song being about 5 minutes long, at 5:08, "Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Aria: "Ei! Wie schmeckt der Kaffee süße"" by Johann Sebastian Bach, Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 18 in Bach, J.S.: Coffee Cantata; Peasant Cantata by Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, David Thomas, Academy of Ancient Music, Christopher Hogwood. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Aria: "Ei! Wie schmeckt der Kaffee süße" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata": Aria: "Ei! Wie schmeckt der Kaffee süße" by Johann Sebastian Bach, Emma Kirkby, David Thomas, Academy of Ancient Music, Christopher Hogwood is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Languet anima mea BWV deest 1006: I. Recitativo: Languet anima mea | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Viola Concerto in C Minor: I. Allegro molto ma maestoso | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | C Minor | 2 | 5A | 96 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM |
Section: 0.7606942653656006
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