- BPM
- 97
- Key
- A♭ Major
- Camelot
- 4B
Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 16 in A-Flat Major - Antonín Dvořák, Václav Neumann, Czech Philharmonic Information
- Acousticness
- 92%
- Danceability
- 24%
- Energy
- 7%
- Instrumentalness
- 85%
- Liveness
- 10%
- Loudness
- 69%
- Speechiness
- 3%
- Valence
- 7%
- Popularity
- 0%
- Loudness
- -18.404 dB
Summary
"Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 16 in A-Flat Major" by Antonín Dvořák, Václav Neumann, Czech Philharmonic was released on August 1, 1995. Since Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 16 in A-Flat Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 16 in Dvorák : Slavonic Dances by Antonín Dvořák, Václav Neumann & Czech Philharmonic Orchestra, Václav Neumann, Czech Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 16 in A-Flat Major is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 16 in A-Flat Major BPM
The tempo marking of Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 16 in A-Flat Major by Antonín Dvořák, Václav Neumann, Czech Philharmonic is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Dvořák: 8 Slavonic Dances, Op. 72, B. 147: No. 16 in A-Flat Major Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | |
 | Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | |
 | Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM | |
 | Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | |
 | Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | |
 | Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: II. Andante con moto | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | A Minor | 0 | 8A | 80 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM |
- ISRC
- DEA807200035
- Label
- L-M Records/RCA Records
Section: 0.6714730262756348
End: 0.6760921478271484