"Francesca da Rimini, Op. 4, Act III, Scene 10: Nemica ebbi la luce, amica ebbi la notte (Francesca, Paolo)" by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt was released on 1994. The duration of Francesca da Rimini, Op. 4, Act III, Scene 10: Nemica ebbi la luce, amica ebbi la notte (Francesca, Paolo) is about 3 minutes long, at 3:27. Based on our data, "Francesca da Rimini, Op. 4, Act III, Scene 10: Nemica ebbi la luce, amica ebbi la notte (Francesca, Paolo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Elena Filipova, Fabio Luisi, Wiener Symphoniker. The song's track number on the album is #5 out of 47 tracks. The popularity of Francesca da Rimini, Op. 4, Act III, Scene 10: Nemica ebbi la luce, amica ebbi la notte (Francesca, Paolo) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act III, Scene 10: Nemica ebbi la luce, amica ebbi la notte (Francesca, Paolo) by Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Frederic Kalt has a tempo of 174 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Francesca da Rimini, Op. 4, Act III, Scene 10: Nemica ebbi la luce, amica ebbi la notte (Francesca, Paolo) being at 174 BPM, the half-time would be 87 BPM with a double-time of 348 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act I: La pietade in suo favore | Gaetano Donizetti, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
L'elisir d'amore, Act I: Una parola | Gaetano Donizetti, Cecilia Bartoli, Luciano Pavarotti, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 4 | 6B | 121 BPM | ||
Les Pêcheurs de perles: Sombres divinités (Nourabad, Fishermen, Villagers, Zurga, Leïla, Nadir) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | B♭ Major | 1 | 6B | 68 BPM | ||
Torna a Surriento (Transcr. for Tenor, Piano and Harp) | Ernesto de Curtis, Jonathan Tetelman, Sophia Muñoz, Marion Ravot | E Major | 2 | 12B | 95 BPM | ||
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
Puccini: Tosca, Act 1: "Ora stammi a sentir" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | A♭ Major | 0 | 4B | 108 BPM | ||
Les Pêcheurs de perles: Act III: L'orage s'est calmé...O Nadir (Zurga) | Georges Bizet, Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 1 | 10B | 92 BPM | ||
Puccini: Suor Angelica: "Ed or, sorelle in gioia" (La sorella zelatrice, Suor Genovieffa, Una novizia, La maestra delle novizie, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | G Major | 0 | 9B | 86 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM |
Section: 0.737224817276001
End: 0.741767406463623