George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable's 'Concerto grosso in F, Op. 3, No. 4: 3. Allegro' came out on January 1, 2007. The duration of Concerto grosso in F, Op. 3, No. 4: 3. Allegro is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Concerto grosso in F, Op. 3, No. 4: 3. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 104 in the song's album "Ultimate Handel". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Concerto grosso in F, Op. 3, No. 4: 3. Allegro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Concerto grosso in F, Op. 3, No. 4: 3. Allegro by George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244: Erbarme dich mein Gott | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 82 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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